And thus I take the greatest risk at marital disharmony of my reviews so far.
So, I’ve been overly cautious and given this album many more listens of the past couple of days than it deserves.
Sure, I don’t like the associated film and all it represents, but perhaps the tunes sound good when released from the visual prison of Swayze’s snake-hips and Grey’s whininess. Alas, that is not the case.
This collection is a testament to all that is wrong about mid-’80s Hollywood’s interactions with the music scene. All too often pompous, over-produced no name bands (and desperate lead singers going solo) were trotted in to pump out grandiose facsimiles of genuine genres. That’s what goes on here.
The Blow Monkeys commit fraud, pretending to be early ’60s crooners, not British pomp-popsters. The lead singer of Surrender (a third-rate Foreigner) cribs Peter Gabriel’s Sledgehammer.
And I’d prefer to not to acknowledge the contributions of Carmen, E., and Medley & Warnes who have left their mark irrevocably on the world of Karaoke.
The actual highlights on here are the genuine late ’50s and early ’60s from the Ronettes, Bruce Channel and Mickey & Sylvia. The lowpoint of not just this album, but surely my entire collection is The Swayze Incident/War-Crime:
File under: I need a shower